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Live at Club Passim

by Ethan Setiawan Band

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1.
Uncrossed 05:20
2.
Arthur 03:59
3.
4.
5.
6.
Back & Forth 04:10
7.
Telluride 03:16
8.
Lamplight 04:24
9.
10.
Untitled 12 04:04

about

In the middle of a pandemic Matt Smith of Club Passim made available to artists a massive backlog of live recordings from Passim. I stumbled across 2 shows at Passim from 2018, the year I put out a record and toured it. 2 years later, listening back to these, it is abundantly clear what a good thing we had going on, and how much I love making music with all these people. Here's a selection of tracks for your listening pleasure.

credits

released September 4, 2020

Ethan Setiawan - mandolin, mandola

All tracks recorded live at Club Passim

Tracks 1-6 recorded 4/15/18 at the Down Home Up Here Bluegrass Festival by Matt Smith, with
Julian Pinelli - fiddle
Dan Klingsberg - bass
Ethan Hawkins - guitar

Tracks 7-10 recorded 11/7/18 by Abby Altman with
Julian Pinelli - fiddle
Dan Klingsberg - bass
Sam Leslie - guitar

Track 7 features
Sam Leslie - mandolin
Korey Brodsky - guitar

Tracks 1, 2, 5, 8, 10 written by Ethan Setiawan
Track 3 written by Mikael Marin (NCB Scandinavia)
Track 4 written by Laurel Premo (Laurel Jean Premo BMI)
Tracks 6, 9 traditional
Track 7 written by David Grisman (Dawg Music BMI)

Final mixing and mastering by Ethan Setiawan, August 2020
Cover artwork by Louise Bichan

Thanks to Matt, Abby and all the Passim staff for the work they do, and this great band of Julian, Dan, Ethan, Sam, and Korey for doing me the honor of playing this music with me. Thanks to Mikael, Laurel and David for their inspiring tunes.

If you're really curious - tracks 1-6 were recorded on a 1991 Gilchrist A3, 7, 8, and 10 on a 2016 Gibson Sam Bush F5, and track 9 on a 2013 Bayard mandola.

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about

Ethan Setiawan Portland, Maine

Ethan Setiawan has a command of the mandolin far beyond his twenty-five years. A past winner of both the National Mandolin Championship and the Rockygrass Mandolin Championship, his new record Gambit moves aptly between stylistic influences, harkening back to the experimental string band music pioneered in the early 80s while presenting entirely original compositions. ... more

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